The RED Letter, Mar 2008

GirlCanCreate presents


The RED Letter
March, 2008

www.girlcancreate.com


Table of Contents

  1. Words from Lisa Pijuan-Nomura
  2. An Interview with Doll Artist Mimi Kirchner
  3. Feature Dance: Abattoir by Kaeja d’Dance
  4. Feature Opera – Stitch at the Free Fall Festival
  5. Feature Theatre: a nanking winter
  6. Feature Theatre – Spike Heels at Bread and Circus
  7. Feature Event: Terrible Noises for Beautiful People
  8. Feature Visual Art: Octopus Project II: Once
  9. Feature Festival: Toronto Festival of Storytelling
  10. Local Etsy Shop – Lurearts – Pottery by Pam McFayden
  11. Artist Trading Card Live Trading Sessions
  12. Creativity Classes with GirlCanCreate
  13. Classes, Workshops and Conferences
  14. Halcyon Health – A New Wellness Studio in the Annex!
  15. Read this Book! With Book Lady Sarah Selecky
  16. Calls for Entries
  17. Lisa’s List of Websites
  18. Upcoming Performances of Interest
  19. Photography by Dave Pijuan-Nomura
  20. Last Thought

1. Words from Lisa Pijuan-Nomura

Deer in Muskoka

I just spent a week up north teaching at a school. I read two books, made a bunch of Artist Trading Cards, walked in the woods, and began writings for a new project. But the thing that struck me most about being up north was how quickly I was amazed by nature. One day I watched as 7 deer walked by the house where I was staying. These deer were not frolicking Bambi’s like I often imagine deer to be. No, these were quiet slow carefully walking through big drifts of snow sort of deer. The next day I went back to the school and told all of the kids about the deer. They looked at me like I was an alien. “We see deer all the time. Big deal…I mean, they are nice, but they’re just deer.” Wow. “You have so many malls. Now that is cool!” It didn’t matter what I was talking about the kids were sold on the malls and I was all about the deer. It was nice to be amazed. In this crazy world of technology and wonky world politics, I think that it is important to find something to amaze oneself. Last week it was the deer, this week it’s amazement at how much snow can fall from the freaking sky. Either way, I challenge us to return to the space of being a young child, forever finding magic in the world around us.

Enjoy the spring… if it ever comes. Seek out the magic. It could be right next to you.

2. An Interview with Doll Artist Mimi Kirchner

I first saw Mimi Kirchner’s work when I was searching for new techniques to work on some of my puppets. I came across her blog and I saw her tattooed men dolls, which were really cool, and different than anything I had imagined for an art doll. They are spectacular the more I read about Mimi the more I wanted to share. I hope you enjoy this interview and her work as much as I do! - Lisa

Doll by Mimi KirchnerTell me about your work as a creative doll artist and how you became one. 
I create dolls in fabric. I use recycled and/or vintage wool for most of the dolls these days. Artistically, I am interested in faces and people, the challenge turning something 2-d into 3-d and the challenge of turning a vague idea in my head into an actual object. I love using resources that would otherwise be discarded- I like to think that my materials have a history. Making dolls has turned out to be a perfect focus for me!
I went to art school where I studied several crafts including fiber arts, metals and pottery. I somehow got sidetracked for 20 years creating functional decorated pottery tableware. I came to a time in my life where I realized I had no passion left for the pottery work- it was not fulfilling me in any of the important ways- I was stressed out by the demands of customers and galleries, I wasn't making enough money to make it worth putting up with those demands, and I just wasn't having fun anymore. I decided to put the pottery aside for a while and try some new things- find a way to recharge my creativity. I took classes and workshops in painting, printmaking, and wirework... and then the building where I worked burned down (1999). I lost everything. That reinforced what I already knew- that part of my life was over!
 I found my way to the dolls pretty quickly after that. I'd had an idea to try to make some figures, although at the time I had been thinking of wood, papier-mâché or air-drying clay. I was doing a project with my mother-in-law, to dress her antique dolls. I did research on eBay and the library- flooding myself with images. I got so inspired by the dolls I was seeing. I started to make my own with felt but soon moved on to making painted cloth dolls.
 The wool dolls came about a few years after that. When my elderly parents moved out of the family home, I cleared out 50 years of accumulated clothing and fabric- my mom was an artist whose medium was fashion and I don't think she got rid of any of her "art"! She had amazing fabrics- wools, silk and cashmere and all the clothes made from them. Also, so many buttons, zippers, notions, trims and funny little whatnots. It ended up being the starting place for what I am doing now.

Doll by Mimi KirchnerYou are quite active in the online blogging community. Why blog and does it add to your artistry and process?
Blogging has been an amazing experience. I started my blog in 2004, about 6 months after I began reading them in 2003. The blog began as a place for me to document what I accomplished over time. I found that if I didn't have a deadline or a show, it was very easy to leave things unfinished. Blogging gave me a place to show a finished piece and at the same time, gave me a reason to finish it. I also thought that if I posted about my dolls, I would somehow magically find other doll makers who were online and blogging. As time went by, I noticed that I was getting a huge kick out of see the archived months build up in my sidebar. I never kept a diary as a kid and have never thought of myself as a writer. I felt like I was building something concrete. It was very exciting!
As I wrote and posted photos of my work, I began to see that blogging worked well for me- I can be very self-conscious and easily discouraged when I have tried to market my work in the past. Posting to the blog was a way to show the work without asking someone to make a judgment. If someone liked what he or she saw, they came back. If they didn't like it, they left. No need to write me a letter, send back my slides and reject me (my work). After a while, people started reading and commenting. People were so positive and interested. It gave me confidence and it is amazing how the feedback fed my energy and passion for the work. The readers weren't necessarily doll makers, but they were other people interested in needle-craft, doing interesting artwork, interested in being part of an online community- because that is what the blog made me part of- a community. I work at home now (since the studio fire in 1999) and it can be isolating. I am very involved in doing a type of artwork that many people find odd. It is not easy for me to find people in my day-to-day world, who are interested or get excited about the same things I do. I needed to expand my definition of community to find like-minded artists. I have met some other bloggers in person- people I have connected with through our blogs. It has always been wonderful. There is a bond, like we speak a common language.

Where does your inspiration for the dolls come from?
So many things can inspire me! I usually start with a tiny tickle of an idea- a word or phrase, a hair-do that I notice on someone walking by, a piece of fabric or hardware, seasonal colors. If the tiny idea connects with other ideas in my head, then that doll will most likely get made. I always seem to have a long line of dolls in my head, waiting.

Have a look at Mimi’s online shop here www.mck254.etsy.com

 

3. Feature Dance: Abattoir by Kaeja d’Dance

Abattoir image

A multi-disciplinary exploration of innocence and rites of passage.

Concept & Direction by Allen Kaeja
Choreographed by Allen and Karen Kaeja

Featuring Dancers
Karen Kaeja, Tanya Crowder, Robert Halley, Ryan Lee, Susan Lee, and Tim Spronk, and actor Aaron Willis, with a guest appearance by Allen Kaeja.

Collaborators: Fides Krucker (New Opera Singer), and Edgardo Moreno (Composer)

Original Text: Jason Sherman

March 25, 27-29, 2008 at 8pm
Tickets: Adults $24/$30 ($18 Students/Seniors/CADA, $10 Dance School Students)

 

Dense with hard-edged kinetics and physical dynamism, two award-winning choreographers converge as Kaeja d'Dance presents the Toronto premiere of Abattoir. Compelling dance and bold partnering, developed from Allen Kaeja’s past competitive training in the martial arts and Karen Kaeja's lyrical sensitivities, engulf the Abattoir stage. The first full-evening work they have choreographed together, this new dance creation by life partners Allen and Karen Kaeja reflects on the resiliency of the human spirit as it intertwines dance, new opera, music and theatre.

Loosely inspired by Allen's childhood experiences, Abattoir explores the acute line between the imaginary and realistic world of a young boy working in his father’s abattoir. Amidst the complex intimacy of the killing floor, the child’s wonderment and beautiful innocence stands in stark counterpoint to his critical role in the life cycle of the animals; instilling in him, oddly at first glance, with a deep respect for life.

Abattoir combines Allen Kaeja's visceral kinetic aesthetic and explosive movement with Karen Kaeja's liquid, sensual athleticism and choreographic lyricism to create a work full of depth and disturbing beauty.

For more info see www.kaeja.org

 

4. Feature Opera – Stitch at the Free Fall Festival

Stitch image

From the abuse of the sweatshop to the fantasy of costume and the empowerment of sewing-it-yourself, the sewing machine has been a force for liberation and exploitation since its invention in the 19th century. Anchored in the sounds and rhythms of sewing, Stitch uncovers the emotional layers of the relationship between woman and barely-tamed machine.

Hemmed in by the language of sewing and the inexorable rhythm of the machine, three women fight to find space for imagination and individuality. From the sweet 3-part stylings of “Cowl-neck Blues” to the fierce interlocked minimalism of “Chain stitch, Lock stitch, Whip stitch”, Stitch gives voice to the unseen women who clothe us.

Stitch features the vocal talents of:

Christine Duncan “…smooth as honey throughout her five-octave range” (The Globe and Mail)

Patricia O’Callaghan “the most promising cabaret performer of her generation” (Billboard Magazine)

Neema Bickersteth “amazing control of her vocal palette…warm and sensual” (Opera Canada)

Stitch is an urbanvessel production with text by Anna Chattertondroll and outrageous” (The Globe and Mail), music by Juliet Palmerideas and methods to the left of normal” (Los Angeles Times) and direction by Ruth Madoc-Jonesdraws powerful performances from the cast” (NOW magazine).
A co-production by urbanvessel and The Theatre Centre presented by The FreeFall Festival in partnership with Harbourfront Centre’s World Stage.

March 12 7:30pm
March 13 7:30pm
March 14 8pm
March 15 2:30pm & 8pm
March 16 2:30pm & 8pm

The Lennox Contemporary
12 Ossington Ave

Tickets: $10 matinee, $20 evening performances
Advance tickets: tel. 416-973-4000 or ONLINE TICKET PURCHASE:
http://www.harbourfrontcentre.com
Same day tickets: The Lennox Contemporary 1 hour before show time.
http://www.theatrecentre.org
http://www.urbanvessel.com

 

5. Feature Theatre: a nanking winter

Nanking, 1937: In the first weeks of the Japanese invasion of China’s capital a group of unlikely heroes bands together to create a refuge from the unspeakable horror.

Nightwood Theatre presents this stunning world premiere by Governor General's Award nominated Marjorie Chan. A brazen young writer’s campaign to ensure the past is not forgotten is challenged as she prepares for her book release -- transporting us to one of the greatest horrors of the 20th century. The play is a gripping account of survival in the darkest of times.

a nanking winter was created for Nightwood Theatre, in association with Cahoots Theatre Projects, by Marjorie Chan, who was nominated for a Governor General's award in 2004 for China Doll, also a Nightwood project. This new show stars Leon Aureus, Ella Chan, Brooke Johnson, Grace Lynn Kung and Stephen Russell, under the direction of Ruth Madoc-Jones.

A Nanking Winter image

Factory Theatre Mainspace (corner of Adelaide and Bathurst)
February 24 to March 16, 2008
Tuesdays 8pm ($25)
Wednesdays 12:30pm ($12) and 8pm ($25)
Thursdays 8pm ($25)
Fridays 8pm ($30)
Saturdays 2pm ($25) and 8pm ($36)
Sundays 2pm ($PWYC)

Tickets: Call 416-504-9971, or purchase online at www.nightwoodtheatre.net

 

6. Feature Theatre – Spike Heels at Bread and Circus

THE ROBINSON STREET PRODUCTIONS CO-OP* PRESENTS

Spike Heels image

Spike Heels
A play by Theresa Rebeck Directed by Kiran Sachdev
Starring Jackie English, Ben Graham, Jamie Spilchuk and Amy Wallis

A humorous story of power, class and sex in a triangle that updates the classic My Fair Lady / Pygmalion myth.

Plays to March 22, 2008
At BREAD & CIRCUS
193 1⁄2 Baldwin St. (at Augusta).
In the heart of Kensington Market.

TICKETS ONLINE at http://www.breadandcircus.ca
Info at 416.336.3399

Thursday thru Saturday at 8:30pm, Tickets $12 and $15
Or at the door one hour before Showtime: seating limited, reservations recommended.

*This is an Equity approved co-op.

 

7. Feature Event: Terrible Noises for Beautiful People

(I met Misha at a performance of Diplomatic Immunities a few years ago and we have kept in touch since then. Misha puts together amazing events that are cool and fun and brilliant! Check this out for sure! – Lisa)

Terrible Noises for Beautiful People
Misha Glouberman’s Birthday Party
Friday March 28, at the Latvian House
(Some details still TBA)

For the past few years, I've been running various events where I get groups of people to do sound improvisation together. Sometimes the groups of people run around, sometimes they are still. Sometimes they are big groups, sometimes little groups. Sometimes the event lasts 20 minutes; sometimes it goes on for eight weeks. These events are collectively called "Terrible Noises for Beautiful People".
In all these events, I'm really interested in what it's like for people to do this, in how making noises with other people in this way compares to the experience of listening to music, and in how people interact with each other while doing this sort of thing. Mostly, people enjoy these events, which is also part of the idea.
So far, there has been "Terrible Noises For Beautiful People: Cobra Edition," "Terrible Noises for Beautiful People: Nuit Blanche Edition", "Terrible Noises for Beautiful People: How to Improvise", and a bunch of others.
On Friday, March 28, I'll be doing the next event in the series, which will be called "Terrible Noises for Beautiful People: Misha Glouberman's Birthday Party". It will be on the eve of my birthday, and will take place at the Latvian House. There will be cake. There will also be me, bossing people around, while they run around and do non-idiomatic vocal improvisation (i.e.: yelling and making voop-voop noises).
You do not have to be able to sing, or have any experience w. improvisation or music or anything else. If this doesn't seem like the sort of thing you usually do, you're probably the sort of person who I'd like to attend. You only have to be willing and interested.

Details are still being decided. Tickets will be around $12, probably available at Soundscapes, online, and at the door.
If you’re on facebook, there’s an event page at: http://www.facebook.com/event.php?eid=8928586817 where you can sign up.
A page with info and more details will be on my web site at: http://schooloflearning.org/birthday/
If you’d like to be updated w. details, check these pages, or email me at: improvise@mglouberman.com

 

8. Feature Visual Art: Octopus Project II: Once

There are a few of RED Letter’s favourite people involved in this event, the wonderful Noah Kenneally, Joel Brubacher, Dave Pijuan-Nomura and yours truly showing some of my art work! With 62 artists it should be spectacular! - Lisa

Octopus Project Logo

62 Artists, 2 days, 1 theme
A two-day exhibition of new work by Canadian artists in various disciplines

In this second exhibition of the bi-monthly Octopus Project art series, the project brings together 62 artists of various disciplines. Artists will be showing new and original work in painting, drawing, photography, sculpture, textile, writing, costume, performance and food inspired by a single theme --"Once …"-- sent to the artists as a "spark" eight weeks in advance.

Artists will be present during the opening reception on March 22, 2pm-6pm with a featured theatre performance by Rachelle Elie at 3:30 & 5pm, as well as a dance performance by Lucy Rupert at 4:30pm.

"Sending sparks to fuel creativity and community"

The Octopus Project was founded by Toronto textile artist Catherine Mellinger and Toronto photographer Melanie Gordon. Both Mellinger and Gordon will be showing work as part of the series, hosted this month by Melanie Gordon Photography.

Octopus Project III: The spark for Octopus Project III will be sent out on March 23. Exhibition of new work inspired by this spark will be shown on May 23-25, a special three day showing in conjunction with Doors Open Toronto.

If you would like to participate in Octopus Project III, please email us at octopusprojecttoronto@gmail.com.

March 22-23, 2008 11am-6pm
Opening reception March 22, 2pm-6pm
Distillery Historic District, 55 Mill St.
Case Goods Warehouse, Building 74, Studios 409 & 410
Toronto, ON M5A 3C4
(416) 861-1011

www.octopusproject.ca

 

9. Feature Festival: Toronto Festival of Storytelling

Toronto Festival of Storytelling image

March 28 to April 6
Various Locations around Toronto

This is our thirtieth festival and we invite you to come Listen to stories that celebrate the past, present and future of storytelling!
Highlights include:
Joan Bodger Memorial Concert given by Dr. Robert Bela Wilhelm, Th.D., an American storyteller and writer, who told at the first festival thirty years ago.
• The Alec Gelcer Memorial Concert, “God Loves Stories” on Tuesday, April 1
• A concert of folk and fairy tales from the works of Arthur Ransome, by Lynda Howes and Celia Lottridge, two wonderful Toronto tellers
“Those Who Have Gone Before”, a concert of stories by prominent local tellers who learned their stories from tellers who are no longer with us. Come hear the stories of Joan Bodger, Alice Kane and others once again!
• Invited guests include Ron Baker, the teller of Celtic and sacred stories from the Bruce Peninsula, Robert Bela Wilhelm, the noted American teller, who told at the very first Festival thirty years ago!

For more info see http://www.torontofestivalofstorytelling.ca

 

10. Local Etsy Shop – Lurearts – Pottery by Pam McFayden

(I first met Pam at the Artisan Craft Fair at the Tranzac Club in December. I was helping my friend Joel choose a mug. Well, it was hard because Pam had so much to choose from. Now, I don’t know about you, but I love mugs. Sometimes I like the pretty girly mug, or sometimes I use my beer stein mug for my favourite tea. Either way as it turns out, I like mugs. I also am drawn to cool thing made from clay. Well, Pam has it all. Have a look in her shop and buy yourself a new wonderful piece of art!)

Etsy logo

www.lurearts.etsy.com

Etsy logo

 

11. Artist Trading Card Live Trading Sessions

Artist Trading Card by Lisa

What is an ATC? Well, think of a baseball card. Or a playing card. Only, it doesn't have your favourite ball player, it has a one of a kind work of art. Originally these cards were created so that artists who couldn't afford art would swap with their friends. It has grown to become a movement that let's many people create and exchange original art!

The only rules are that it must be 2.5' by 3.5' and it must be traded.

ATC Toronto wants to spread the good word of Artist Trading Cards and is hosting monthly swaps and card making sessions!

These cards are for everyone, not only artists!

Well, join us once a month to make and trade some cards. Or come with your own cards to trade at our monthly session. This is a great way to meet new people, find some creative time and play with crayons, paper, glue, and paint and just have time to make art! Beginner’s welcome! Please know that this is for everyone! Even if you have never done any sort of art, you are welcome! It’s fun, and addictive, and you can have a great afternoon!

Sunday March 30 4:30 to 6:30 p.m.
Where: Somewhere There Studios
340 Dufferin St., Toronto

One Block South of Queen
(entrance off Melbourne Ave)
Check out our Facebook Group


 

12. Creativity Classes with GirlCanCreate

“As a workshop leader, Lisa brings a sense of excitement and passion few can match. Her enthusiasm rubs off on the participants, now co-creators, in a world of movement and creativity carefully explored and unleashed in a safe, fun-filled experience. Lisa is both a masterful facilitator and a catalyst for stepping into the unknown. With such warmth and humour, she truly creates a joyous atmosphere in her classes and workshops.” - Beth Mairs, Director of Wild Woman Expedition

Create

She Can Create: Creativity Classes for Women

Join us for an experiential woman's creative group that meets once a week to play and create using a variety of different inspirations. Focusing on self-expression and the desire to bring more art to our lives we will use Collage, Storytelling, Movement, Doll making, Beadwork and Journaling to jumpstart our creativity and help create unique pieces of art and find ways how to continue creating after the classes are finished. Lisa will also talk about the overcoming creative blocks, taking steps to complete projects and letting the world know about your work. A sure fire inspiring workshop, register early to avoid disappointment as there is a limited amount of participants.

When: Tuesdays Nights from 6:30 to 9:00
April 15, 22, 29, May 6
Price: $150

To register please email Lisa at lisa@girlcancreate.com or call 416-516-4925

Plus special deal for RED Letter readers, register and mention RED Letter and you will receive a complimentary creativity coaching session with Lisa Pijuan-Nomura.

About Lisa: For many years Lisa has helped other artists when times were tough. It seemed to be a natural extension of her work as an artist and curator. Lisa has studied with many great creative minds including author and creativity expert Eric Maisel, Art Therapist Jacqueline Gautier, dancer Lisa Nelson, singer Ysaye Barnwell, musician Babatunde Olatunji, storyteller Judith Black and many others! With over 15 years of working as a performance artist, writer and educator, Lisa is especially passionate about bring art, humour and creativity to lives of women, youth and children.

 

13. Classes, Workshops and Conferences

Writing Workshops with Sarah Selecky

Short Fiction Workshop for Beginners: Introducing the Story

Where do stories come from? How do we get our ideas? More importantly, what do we do with the bits in our notebooks, once we have written them down? This workshop teaches beginning writers to use free writing, clustering, and other writing prompt tools to generate rich, complex, satisfying stories. It introduces the elements of fiction - character, plot, dialogue, setting, theme - and provides the structure that is necessary for a sprouting story to take root and flourish. A variety of exercises stimulate and train the writing mind. The goal is to encourage a personal writing practice that students will continue after the workshop is finished.

The environment is non-intimidating and supportive, perfect for writers who would like to jumpstart their practice, explore technique, and create a useful foundation for their fiction writing. This course is open to all writers, even those who have not written fiction before.

Classes held in Parkdale on Monday evenings, 6:30 – 9:30
March 31st to May 5th, 2008 (6 weeks)
$250.00

Introducing the Workshop
Short Fiction Writing and Critiquing for Beginners

You know you can write a story, but you seem to need a deadline to get it out of your head and onto the page. Or you'd simply appreciate a community of writers who will read your work critically to help you begin your editing process. In this workshop series, we'll focus on finding the balance between inspiration and revision. You will do some in-class writing but will work on your stories from home, with a deadline set for the completed draft. The workshop sessions will be guided and facilitated, the critique respectful of each writer's unique voice. You'll gain the valuable insight of fellow writers who understand the challenges of the writing life, and through the process of reading critically; you'll deepen your relationship to your own writing.

Classes held in Parkdale on Wednesday evenings, 6:30 – 8:30
April 2nd to May 7th, 2008 (6 weeks)
$250.00

Register for either one of these courses by contacting
Sarah Selecky: selecky@gmail.com

Sarah Selecky has been facilitating non-competitive, inspiring workshops for writers since 2001. She has studied writing with Natalie Goldberg and is currently completing her MFA in Creative Writing at the University of British Columbia. Her writing has been published in The Sun, Geist Magazine, Prairie Fire, The New Quarterly, and The Journey Prize Anthology.


Vijnana Yoga and Myofascial Meridians with Sylvain Brochu

March 29th and 30th, 2008
10am-3: 30pm (12-1:30pm lunch)

Location: Pia Bouman School for Ballet and Creative Movement
Fee: $100 and $75 if you register with $25 deposit by March 7th 2008

Cheques can be made out to Series 8:08 and sent to the Dance Umbrella of Ontario (490 Adelaide St. W #201 Toronto ON M5V 1T2). Please be sure to include your contact info with your deposit.

This workshop is open to pre-professional and professional dancers or artists from different backgrounds, or yoga practitioners.

Vijnana is a Sanskrit word which means "inquiring-understanding from within."

At its foundation are 7 principles: relaxing the body, quieting the mind, focusing through intent, rooting, connecting, breathing and expanding. Through deep personal inquiry as well as through partner work we will explore these principles. We will look at how applying them can bring us to a level of awareness that will enhance your daily practice, whatever this practice may be.

Through just sitting (meditation), we will move towards finding a relaxed body and allowing the fluctuations of the mind to settle so intention can arise and become clear.

Through pranayama (breath work), we will practice different breathing techniques.

Through the asana practice (poses), we will explore Tomas Myers myofascial meridians as well as the concept of biotensegrity, which in essence is the balance of tension and compression elements in the body. We will discover that by channelling the rebound force through these meridians we can plant deep roots, make connections through the whole body to expand its full capacity.

The goal is that by integrating the deep waters of our spirit with our life at the surface (our persona), we connect the upper and lower worlds and rediscover the inherent oneness of all life.

Sylvain Brochu's Bio:
Originally from Sherbrooke, Quebec, Sylvain Brochu is a Renaissance man. He has had a 25-year career as a contemporary dancer during which he has been recognized as a compelling performer and master of interpretation. He has worked with more than 40 choreographers and as a soloist, has a repertoire of uncommon eclecticism. His appearances as a dance performer are now selective and savoured with a deepened sense of thanks giving.

Sylvian was introduced to yoga as a child and then rediscovered it in the late '80's. In the last 10 years, he has made it his practice.

An inspiring teacher and educator, Sylvain is also a compassionate Shiatsu practitioner, an enthusiastic builder, an avid gardener and a passionate singer.

After living in Toronto, Winnipeg, Vancouver and Quebec City, Sylvain has made his home on the beautiful Sunshine Coast of British Columbia where he teaches contemporary dance, yoga and has a private Shiatsu practice.


Problems with Dancing; Dancing with Problems
A one Week Laboratory with Keith Hennessy

April 14-18, 2008
10am-1pm

Through improvisation strategies, choreographic tasks, physical research, and discussion, Dancing with Problems: Problems with Dancing explores the themes of Sensation, Beauty (the problems of), Tasks, Image, and Flow through a variety of exercises and lenses. As the week progresses, the themes will carry over into each other.

Keith Hennessy is an award-winning performer, choreographer, teacher and organizer. He lives in San Francisco and tours internationally. His interdisciplinary research engages improvisation, public actions and alchemy/shamanism as tools for investigating political realities. Hennessy directs CIRCO ZERO, a contemporary circus, in intimate spectacles for stage and street. Hennessy is a co-founder of 848 Community Space/CounterPULSE a thriving performance and culture space in San Francisco. Recent awards include Alpert/MacDowell Fellowship in Dance (2005) and SF Bay Guardian's Best of the Bay for Circo Zero.

COST
$225 after March 1st 2008

For more information and to register, contact us at idactroupe@sympatic o.ca

Payment can be mailed to:
Integrated Dance Artists Collective
12 Laidlaw Street, Suite 824
Toronto, ON
M6K 1X2

**Please make cheques payable to "Intergrated Dance Artists Collective"


Physical Theatre Workshops with Adam Lazarus
Physical performance intensives
With Adam Lazarus and guest instructors Susanna Hood and Meagan O'Shea

I. Introduction to bouffon
Monday April 7th - Friday April 11
10am - 2pm

Games and exercises are used to discover students’ pleasure to mock social hypocrisies while simultaneously making audiences love you. Historically and culturally, the Bouffon traveled in groups or gangs. They stuck together and sat on the outside, in their ghettos, their swamps, looking in at the mainstream world. They watched human hypocrisies and laughed. Every now and then, they came back to do a play for the hypocrites. No subject, person or institution was spared their mockery.

Bouffon techniques are extremely useful for performers in all disciplines, as well as for writers, public speakers, teachers and critical thinkers. Through Jeu, students will re-discover their mental and physical agility, sensitivity, stillness and complicity in a group.
The Bouffon will allow the actor to be a big person in a small body and to refine their awareness of the world around them. Students are encouraged to embrace this awareness and the power of being seen and listened to. All backgrounds (dance/education/ music/writing/ theatre/film/ clown) will find this work exciting and useful.

II. Building a performance
Monday April 14 - Friday April 18
10am - 2pm

Here students should come to class with an idea of something they want to work on and perform. Whether interested in bouffon, clown or character, the students’ focus of the week is on writing and performing. This is a deeper exploration into the world of physical performance that will culminate in an informal public performance at the end of the workshop. Completion of week one of two, or prior experience in bouffon, clown or character is required for this class.

April 19 - April 20
Class showings at TBA
PWYC with money going back to the students

Fees:
$315 for 20 hours of instruction over 1 week ($250 for Union)
$600 for 40 hours of instruction over 2 weeks ($475 for Union)

Payment plans available
Required deposit of $100 to hold a place –
Refundable up to one week before the workshop

Location:
Pia Bouman's School of Ballet and Creative Movement,
 6 Noble Street, Toronto

For registration and information contact:
thebouffon@rogers.com

http://www.quiptake.com


 

14. Halcyon Health – A New Wellness Studio in the Annex!

An intimate healing space with sweet-natured and experienced practitioners to help you feel your best

Halcyon Health
677 Dupont St., 2nd Floor | 3 buildings west of Christie
(416) 530-9613
halcyonhealth@gmail.com

SERVICES AVAILABLE:
MASSAGE THERAPY | YOGA THERAPY | OSTEOPATHY
with Tiina Veer RMT, David Slater RMT, Candice Eisner RMT

SPACE AVAILABLE:
Exquisite large treatment room available for rent:

* 200sq.ft. With two large windows and a large storage closet, walnut hardwood throughout
* Suited for practitioners seeking independent practice space in a lovely, light-filled, intimate wellness studio

COMING SOON:

Special yoga class series: Yoga for Round Bodies, and Restorative Yoga for Stress Reduction

Special workshops: Stress Reduction & Relaxation through Mindfulness, and Folk Remedies & Hydrotherapy for Self-Care


 

15. Read this Book! With Book Lady Sarah Selecky

Don't Get Too Comfortable coverDon’t Get Too Comfortable
The Indignities of Coach Class, The Torments of Low Thread Count, The Never-Ending Quest for Artisanal Olive Oil, and Other First World Problems

by David Rakoff

When my mother was reading this book of essays, she told me that she had a hard time with the writing. She was occasionally offended by the snarky humour, the criticism, the overall outlook on life. She told me, “David Rakoff is just so cynical and negative.” I would call his writing “critical and brilliant,” but then, I’m the type of person who thinks it’s useful to feel uncomfortable every so often. Especially when the reminder is coming from a freakishly brilliant social critic who has a preternaturally flawless vocabulary and an exquisite sense of comic timing.

Then again, my mother has a thing for expensive extra-virgin olive oil, and Rakoff kind of dissed the luxury food trade in his essay, “What is the Sound of One Hand Shopping?” I’ll admit it: I have a thing for the fancy olive oil, too. I also have a collection of fancy salts from all over the world. But when Rakoff wrote about a New York food critic waxing poetic over the “tasting notes” for a salt that costs $18/lb – no bitter aftertaste! – I did wince at myself little. I mean, come on: after all, it is just salt. How does it taste? Salty. I get it.

Rakoff’s essays successfully interrogate our current atmosphere of luxury, excess and abundance with satisfying detail and humour. He flies the last flight on the Concorde; he flies Hooters Air. He visits a cosmetic surgeon to find out what would happen if he gave the doctor full permission to “fix” his face. He talks to runway models and meets Karl Lagerfeld (do not miss Rakoff’s snarky comeback to Mr. Lagerfeld’s dismissive comment) on a fashion tour of France. He attends a cryogenics conference and speaks to people who believe in the power of technology more than anything else – including death.

David Rakoff doesn’t spare anyone. His critical commentary is sharp and spear like, and he’s a brilliant writer, which makes each line hit its target with devastating accuracy. But


he’s not mean-spirited. What makes these essays powerful is what lies behind the spitting rants: the truth is, David Rakoff actually loves human beings – with a big, full, expressive heart – it’s just that he hates to see us acting like spoiled brats.

 

16. Calls for Entries

Fresh Ground New Works

Harbourfront Centre is Canada’s leading centre for contemporary culture, with a history spanning over thirty years, and a well-earned international reputation as a non-profit centre for arts and culture nurturing innovation, exploration and artistic expression in the areas of theatre, dance, literature, music, film, visual arts, new media, fine craft, community arts and diverse cultural representation and celebration. A key component of Harbourfront Centre's mandate has been to champion the creation of new artistic works, providing a platform for innovation, creation and excellence.

Recognizing that some of the most creative and fascinating work being produced across the country today is the result of artists working in different ways and through non-traditional collaborations, as part of our 30th anniversary celebrations in 2004, we launched an exciting legacy programme entitled Fresh Ground new works: funding which aims to be the catalyst for new, collaborative artistic creations incorporating more than one discipline or field, to be presented or installed here at Harbourfront. With the generous support of several individual donors and the Imperial Tobacco Canada Arts Fund, Harbourfront Centre has committed $200,000 toward the creation of a total of ten new, collaborative, multi-disciplinary, Canadian works to date.

This year, Harbourfront Centre is pleased to issue the third Call for Submissions for Fresh Ground new works with a maximum of five separate projects that will be selected to receive $20,000 each toward their creation and presentation during Harbourfront Centre's 2009/2010 season.

For more information please see www.harbourfrontcentre.com/noflash/freshground/index.php


 

17. Lisa’s List of Websites

Cute with Chris – Okay, I don’t normally do cute, although this issue of the RED letter might be a bit cuter than I am used to! Nonetheless, Chris Leavins is a genius. He puts together weekly pod casts that are smart, funny and political. You must check out his Canadian Kittens vs. American Kittens. It’s great! His reciting song lyric pod casts are pretty funny as well!

Podsafe music Network – If you are interested in doing pod casts you might come up with the pain of finding music that you can use. Check out this interesting website that helps you find pod friendly music.

ATC-x – As you can tell, I am a bit Artist Trading Card crazy lately. This site helps you find others to swap with. Have fun.


 

18. Upcoming Performances of Interest

March 13 to March 15
Le Show Triste by Catherine Tardif
Dancemakers Centre for Creation @ The Distillery
55 Mill Street, The Cannery, Building 58, Studio 313
Tickets: $22 - $18
Choreography: Catherine Tardif
Dancers: Marc Boivin,Sophie Corriveau, Anne Bruce Falconer, Peter James, Guy Trifiro
Music: Michel F. Côté
For more info seewww.dancemakers.org

March 14
Nachtmusik
The Blue Moon, 725 Queen St. E
9:00 p.m
$10
The second nachtmusik event brings another amazing lineup of talented electronic music artists that will rock the stage and take you on a musical journey that you will not soon forget,
Featuring Dad's Army (beats.to, Polaris Records)- Improvised minimal techno, dub.
NAW (noise factory, sentient)- Explorations in minimal dub
Teste (Switch Records, plus8)- Bring on the Acid revival Intense, driving Acid techno
 http://nachtmusik.funkyplanet.ca

March 15
Soundscapes: Part of the U of T Festival of the Arts
Victoria Chapel at the University of Toronto, 91 Charles Street West
7:30 to 10:30 p.m.
Four ensembles come together to perform a collage of UofT's contemporary sound world in an evening of poetry, music, song and the avant-garde.
For full festival details visit www.arts.utoronto.ca.

March 17 to March 24
Catch23 Tournament of Wonders
Six days of improvised competition, collaboration and innovation, the catch23 Tournament of Wonders is part competitive improv pit fight, part presentation of new formats, and part collaborative adventure.
For more info see http://www.catch23improv.com/tow/2008/2008main.html

March 19
After the Crash: A Play about Brain Injury
George Ignatieff Theatre, Trinity College at UofT, 6 Hoskin Avenue
6:00 p.m.
Featuring the work of Julia Gray, Steven James, Sarah Machin Gale, Melina Nacos, Mark Prince and Kate Rossiter.
For more info see www.ruckusensemble.com

March 22
Speak Up
Cervejaria Bar and Restaurant
842 College St (at Ossington)
8:00pm
$10
An evening of spoken word, hip-hop and film in support of Moving Forward/Hacia Adelante youth program in Colombia with displaced and demobilized youth.
For more info contact 647-893-7115

March 26
Jillian Tamaki & Mariko Tamaki In Conversation With Jessica Westhead
Watch a literary graphic novel come into being before your very eyes!
Gladstone Hotel Ballroom, 1214 Queen St West
7:00pm - 10:00pm
For more info contact tinars@pagesbooks.ca

March 27
Squiggfest Re-mixed
Dancemakers Centre for Create
55 Mill St. (Cannery Building #58, Studio 314, Distillery District)
7:00p.m
$5
Confirmed acts include:
Dancer Kate Franklin of AE + firsthingsfirst, Host Jimi Maze, Artist's Play, Crazyfish Collective, Collective Heat, Jodee Allen of Solid State Breakdance, Cube3, Helen Simard of Solid State Breakdance, Antonio Cayonne, Guitarist Maneli Jamal and DJ Obi-1 a.k.a. Ben Kamino and of course DJ Squiggy
For more info see www.torontunderground.ca

March 28
Horizons 2: Emerging Indian Classical Dance Artist Series
The Church of St. Stephen’s in the Field, 103 Bellevue Ave
Featuring the works of Hiroshi Miyamoto, Chad Walasek, Ritesh Das, Joanna De Souza
For more info see www.tablaensemble.com
Or call 416-504-7082

March 29
Shelter 3: The Value of One, The Power of Many
Lula Lounge, 1585 Dundas St West
Tickets: $35
In support of the Native Canadian Centre of Toronto’s Youth Arts programming. Featuring Leela Gilday, Nadjiwan, hip-hop artist Wabs Whitebird, Aengus Finnan with guest Trevor Mills and Samba Squad.
Advance tickets can be reserved by calling 416-588-0307

 

19. Photography by Dave Pijuan-Nomura

 Photo by Dave Pijuan-Nomura
You can find Dave’s photo cards and art at nomuraphoto.etsy.com

20. Last Thought

Oh, Spring! I want to go out and feel you and get inspiration. My old things seem dead. I want fresh contacts, more vital searching. (Emily Carr)